Adele and The Civil Wars in Boston 5/15/11

There was a seemingly endless line that snaked down Landsdowne Street this past Sunday night as Adele fans waited to walk into The House of Blues for the British singer's show that sold out months ago. These were people WITH tickets! and everybody wanted get in early to claim a spot for the night.

At other shows at HOB, I have found a place in the back near the sound board, but Sunday we made our way to the front of the floor section and found room, stage right with a great view of what would be an unforgettable night of music.

From this vantage point, I was able to see the roadies set up for Adele's set and this was a part of the show that I didn't expect to witness. They were getting everything just right. The straight mic stand, the stool, the table with water and tea, the fan, and the four (or was it five?) monitor wedges that would surround Adele with her voice, the voice that everyone was coming to hear.

When we did hear her, it was from off-stage. And when she appeared, it was simply, with her trademark openness, humility and thankfulness, and to great applause and cheers.

The talent that Adele displays is equally matched with the love, admiration and appreciation that her fans have for her. The appreciation is the main thing. Adele does something for her fans beyond just dazzling them with her vocal prowess and stunning presence; it seems that she holds a mirror to their best qualities.

"Rumor Has It" was one of the highlights of the show. Adele tells the story behind the song

Adele | 21

“As soon as I got a microphone in my hand, when I was about 14, I realized I wanted to do this,” Adele says. “Most people don’t like the way their voice sounds when it’s recorded. I was just so excited by the whole thing that I wasn't bothered what it sounded like.”

This part of Adele's story is at the heart of her popularity. Underlying all the musical talent that she possesses, the skill in her songwriting and delivery, the powerful vocal technique that feels like it's just the tip of the iceberg of what is yet to come in her career, lies the fact that Adele is completely at home in her music. There is no space between her and it. This authenticity is so appealing and it makes it easy to find a place at her table.

Multiple producers including Rick Rubin worked on the record. Paul Epworth, Ryan Tedder, Fraser Smith doubled on producing and co-writing tracks. Dan Wilson co-wrote three. Adele covers Robert Smith's "Love Song", paying respects to The Cure, the first band she saw in concert -she was three years old.(!) Now 22, she's the one on stage. Her concert tour starts in Olso, Norway on the first full day of spring, March 21st, and she comes to the States in May.

What's New... today

I'm putting together a set of new music for The Lunch Hour on mvyradio ...The new tunes will roll out at about 12:20 PM.

Paul Simon has a new album, done and due for release in the spring of next year. Just so happens there is a song on it called "Getting Ready For Christmas Day". What to do? Release it! Play it!

I found another track to play from The Autumn Defense's new CD "Once Around". "The Swallows of London Town" is one of the stand out tracks from John Stirratt and Pat Sansone on their fourth CD.

Louisville's Cheyenne Marie Misez has a new CD "Before Lately". "Friend" got me on the first note.

Ryan Montbleau's "Lonesome Serenade" is track # 13 on "Heavy On The Vine", some sweet stuff as the new album is coming to a close. His fans are going to want to hear this song when he plays with J.J. Grey and Mofro next Wednesday (11/24) at The Paradise in Boston!

AND FINALLY! Adele! We just got "Rolling In The Deep" from "21" her second CD due for release in February. I learned a new word from Adele -"chuffed". That's what she is after completing the new record. Quite pleased. You will be, too, when you hear it today on www,mvyradio.com